We are continuing our series of posts featuring Holy Week meditations written by Andrew Peterson
VII. THE HUNGRY TOMB
I want to turn away from this part of the story.
I want to close my eyes on it, partly because my love for you makes it difficult to bear, and partly because I am ashamed of myself. I’m afraid that I’ll see my own face in the mob, among the teachers of the law, in Pilate, in the men who beat you. You are despised and rejected by men, a man of sorrows, and familiar with suffering. Like one from whom men hide their faces.
But I watch. I watch as you are whipped, mocked, nailed to the cross, and lifted up. I force myself to watch.
“It is finished,” you say, and then the life and light of men dies.
The mob clears beneath a black, churning sky, as black as the sorrow or terror they feel in their chests. The Sabbath is coming, and Joseph of Arimathea of all people knows that no man’s body is to hang overnight, especially during Passover. Pilate gives his permission and Joseph comes trembling to the foot of the cross. There stands the Jewish leader, his robe whipping in the angry wind, his back bent before your wrecked body, crooked on the crossbeams. Joseph lays the linen-shrouded flesh and bones of the son of God in his own tomb just as evening descends and brings with it God’s holy day of rest.
We all have tombs that await us, open-mouthed and hungry for our bones, but the author of life lies there in our stead. You died so that we who come sorry and helpless to the foot of your cross may rest on the Sabbath knowing that it is not ourselves in our graves, but you.
That atonement was made would have been enough. But in the riches of your grace and great power, we rest on the Sabbath knowing that the tomb is not the final word. Great God, we are overcome with joy and thanksgiving and all manner of gladness that
the tomb is not the end of the story.
Just wait, you say. You will see my wonders.
We are continuing our series of posts featuring Holy Week meditations written by Andrew Peterson
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V. LOVE YOUR ENEMIES
Judas.
Doomed to be the one who would betray the son of God, misguided, obsessed with money, wracked with a destructive, cowardly shame that left him swinging from a rope with his neck stretched and his head cocked. You knew it would be him. The night you broke the bread, your eyes met his, and he knew that you knew. Judas went and betrayed his rabbi. It would’ve been a dastardly thing had you been an ordinary man, and you were anything but ordinary.
Judas saw the wonders you did, the authority with which you taught, and heard you declare yourself the son of God more than once. He had no excuse. It was clear to those in your company that you were made of a goodness that rendered betrayal unthinkable.
But Judas, whatever his reasons, did the unthinkable.
Andrew Peterson is a favorite of ours here at Types and Shadows. He is an amazing songwriter as wellas an amazing writer. A few years ago he penned some Holy Week meditations that I return to each year entitled Resurrection Letters. They are beautiful and inspiring and I hope they encourage you as they have encouraged me.
Note: I should have started posting these on Saturday. I will catch up by tomorrow night. BE ENCOURAGED!
I. THE TRIUMPHAL ENTRY | Lord, forgive us.
We welcome you in because we think you’ll give us what we want. We act as if our true motives are hidden from you—you who made the world with a word. We spread our coats and wave our hands and cry “Save us!” and you ride with your back straight and your face drawn, accepting our hosannas because you know that even if the heart is false the words are true, and for now, that is enough.
Scott and I are fans of art and craftsmanship in all of their varied forms. I have enjoyed John Mayer’s latest record Born And Raised and have enjoyed looking at the artwork. however, there is something amazing about learning what goes into a particular piece of artwork. Knowing the skill, determination, hard work, and passion of the artist allows you to take your appreciation and enjoyment of their work to the next level. I was blown away as I watched the video (below) of David A. Smith’s work in creating the album artwork for Mayer’s latest record.
In such craftsmanship we see the image of God, the creator, whose work is infinitely more creative, passionate, and inspiring. In taking the time to learn what goes into such craftsmanship we allow ourselves to see the image of God on the artist allowing us to think on him or her with the dignity they deserve. I know nothing of the faith (or lack thereof) of Mr. Smith but the fingerprints of his creator are all over his work.
Take the time to watch this video. At 18 minutes it is a little lengthy but like the artwork is showcases, patience and deliberateness have their rewards.
“From one man he made every nation of men, that they should inhabit the whole earth; and he determined the times set for them and the exact places where they should live”
Paul, in Athens. Acts 17:26 NIV
The Westminster Confession of Faith Larger Catechism Questions 12 asks, “What are the decrees of God?” and then answers without ambiguity that, “God’s decrees are the wise, free, and holy acts of the counsel of his will, whereby, from all eternity, he hath, for his own glory, unchangeably foreordained whatsoever comes to pass in time, especially concerning angels and men.”
I admittedly have a hard time with this. Not because I don’t believe it and not because I don’t believe God to be sovereign or that scripture can contain seemingly irreconcilable differences yet still be inerrant. No, my difficulty with this wonderfully encouraging Catechism is that I want to be God. I want to be the one who chooses my “exact places” and I want to be the one who believes that I have a better plan than the One who created me. The great news is that my story, my geographic situation and my circumstances upon which I thankfully embrace are not what I would have chosen. There is freedom in trusting a sovereign and loving God who uses all of our “exact places” for his pleasure and his good will and like Margie, I wouldn’t change a thing.
In her book, The Exact Place* Margie Haack writes a beautiful story of how a Midwestern girl living in a bucolic wilderness finds the love of her Creator through poverty, pain, rejection and relationships.
Growing up in Northern Minnesota Margie found life to be brutally honest and at times as biting as the northern winter winds. Having visited the northern great plains I find it difficult to ignore the unrelenting and pervasive theme of need. Margie’s story is just that, a wonderfully written memoir that blends the lightheartedness of childhood experiences with the difficult realities that living on a farm in the great white north can bring.
As any good memoir does, The Exact Place especially calls its reader to think and ponder on his/her own story. I was reminded of the ugliness of childhood teasing and the utter cruelty of sibling rivalry. But deeper than the anecdotal humor of children and all of the inconveniences that they bring Margie reminds us of a reality that plagues each and every one of us no matter our geography, climate, economics or family life; the longing to be pursued, invited into, rejoiced over and wanted by a father who is safe, strong, loving, and good.
The longing to be wanted is not unique to Margie or any of us who had a difficult relationship with our father. This desire is something that even those of us who had a great father still long for. We ache for these things because written deep upon our hearts is the desire for reconciliation. It is only when the reality of the exile from our Creator sets in that we can then see how God uses his love for us through the work of Christ to bring us into a love far more perfect and beautiful than any earthly father could give.
My “exact place” was not what I would have picked either but I recognize with Margie that God uses his perfect plan for our good no matter where he has us. The beauty of Margie’s story is not only in her ability to tell it so excellently, viz. the funny situations of childhood and the unfamiliar circumstances that farm life brings, but more so in what her reader is beholden to as her vulnerabilities and insecurities are exposed to the love of a Father far greater than we could ever fathom; so wonderful that it is hard to take in.
There are times when my insecurities lead me to become jealous for what I think others have that I do not. I get frustrated with God believing him to be unfair or cruel. But where social media tends to paint pictures of falsified bliss and can, at times, breed discontent in its casual and de-contextualized observer, Margie’s story does just the opposite. In the midst of the story I was given over to a wonderful sense of contentment as I was reminded of the reality of life and how through it all God cares.
I still struggle to be loved. I believe that it will always be difficult for me. But I believe in a God who is there and who has not abandoned us, who comes down into our suffering, who welcomes instead of rejects and loves instead of leaves. Thank you Margie for being vulnerable to us so that we might see the love of God in our exact places. Read this book.
*Kalos Press 2012 www.doulosresources.org